The worlds of skateboarding and fine arts might not appear to be 
intuitively linked. Both have their supporters and detractors, but 
finding commonality between the intensely physical and social world of 
skateboarding and the often solitary and cerebral world of art can be a 
stumper — to those who don’t know better. 
The Board Meeting, an 
art exhibit showcasing the artistic work of more than a dozen local 
skateboarders, is a lot of things. First and foremost, it’s a 
traditional art show, with a variety of original pieces on display (and 
for sale). But it’s also, in its own way, a kind of cultural crossroads,
 and an opportunity to learn more about the depth and talent of 
Montreal’s skateboarding scene. 
Organized by well-known local 
skaters Barry Walsh and Chris Dyer, the Board Meeting goes far beyond 
the traditional media and methods — graffiti and painted decks, mostly —
 associated with the skateboarding lifestyle. There are sculptures, 
carvings, paintings, photography. The only thing the pieces have in 
common, really, is the link between their creators: all of them are avid
 skateboarders, and it comes across in the work. 
“I want people 
to come out of the art show feeling like they learned something about 
skateboarding in their community,” Walsh says. “I want them to actually 
learn something about skateboarding culture in the city.” 
Walsh 
and Dyer deliberately avoided putting on the traditional skater art 
show, which is usually comprised of differently painted decks. “That’s 
been done, stomped on,” Walsh says. “Skateboarding is so mainline now, 
so this is more of a cultural show. This is just people doing artwork, 
it’s not based on the hype or glory” of pro skating. 
Neither is 
approaching the art world cold. Dyer, who has been on a board for at 
least a quarter of a century, is a well-known artist in his own right, 
and Walsh, a former skateboard pro, is finding himself devoting more and
 more time to organizing art shows for the Greenlight Gallery on St. 
Laurent Blvd., where the exhibit is hanging, and Le Dep, a skate shop on
 St. Dominique St.We've had a lot of people asking where we had our make your own bobblehead
 made. overlooking Peace Park on St. Laurent Blvd. just north of René 
Lévesque Blvd. that sometimes doubles as an ersatz gallery and offers 
wall space to local artists. 
To Dyer, the two worlds are more closely linked than one might imagine. 
“Art
 and skateboarding go hand in hand,” he writes in an email from Europe, 
where he’s attending a family function. “Skateboarding is an art, a 
physical expression of a soul as much as a painting,wind turbine
 sculpture or drawing. The skate plank has always been such an 
inevitable canvas for art, both commercially and as fine art. I think 
skateboarding attracts a different kind of person that is naturally 
artistic or appreciative of it.” 
According to Dyer, Montreal’s skate art scene isn’t that big, but it is vibrant, and appreciated. 
“There
 is a huge skate art scene, but it is only super big in California, the 
epicentre of skateboarding (both historically and as an industry),” he 
writes. “Out here in Montreal, it’s not really a big movement, but 
always very appreciated, especially by skaters themselves. I think every
 skate scene has skate art shows every now and then, (but) if you want 
your skate art to shine worldwide, you can move to California (something
 I declined to do many years ago).” 
The show’s flavour, its very
 essence, derives from the streets. Fitting, given its genesis, but it 
is also a reflection of the unpretentious, do-it-yourself ethos and the 
near tribal sense of community skateboarding breeds in its hard-core 
practitioners. Blood and broken bones can be pretty effective bonding 
agents. 
Artistic expression is a natural outlet for skaters, 
Walsh says, especially for those on the other side of 40 like him. The 
aches and breaks incurred take longer to heal and eventually lose their 
cool factor. 
“A lot of skaters, they get so beat up over the 
years that they often venture into something else to fill the void” lost
 by the physical toll skateboarding exacts. 
Skateboarding can also be as idiosyncratic and personal as the creation of any art piece. 
“The
 connection to art culture comes through the individuality of each 
skater,” he says. The variety of the media on display at the Board 
Meeting is proof of that. “We’re showing skater artwork, and it’s all 
different.” 
The CEO and pitchman’s appearances helped create an 
iconic brand that more than 70 percent of consumers recognize despite 
having only a 5 percent share of the upright vacuum market 10 years ago,
 according to the company. 
But there was a problem: Oreck 
vacuums had a bag. And in 2002, British engineer James Dyson introduced 
his sleekly designed,Welcome to Find the right laser Engraver or laser marking machine
 . bagless vacuums to the U.S., put them in larger retail outlets and 
gobbled up customers, forever altering the way vacuums are designed and 
marketed. A decade later, about 80 percent of upright vacuums sold are 
bagless. 
Now, Oreck Corp. is in a different city (the company 
moved its headquarters from New Orleans to Nashville, Tenn., in 2008), 
has a different CEO and an almost entirely different staff. And it is in
 the process of recreating itself after years of transition and sluggish
 sales of its trademark vacuums. 
“We feel like a 50-year-old 
startup,” said Doug Cahill, who became Oreck’s CEO in 2010 after stints 
as chief executive of Mars Petcare and president of Winchester 
Ammunition. 
With $2.3 billion in sales in 2012, upright vacuums 
are a sizable market, one in which Oreck’s share has slipped to 4 
percent. About 70 percent of its revenue comes from selling and 
repairing vacuums, mostly through direct sales and its 325 specialty 
stores. 
As the company looks to transfer some of that brand 
recognition to sales, it’s invested heavily in consumer research, 
product development and marketing, and has made a host of changes. 
For
 starters, Oreck has extended its TV advertising beyond infomercials and
 has purchased spots during popular shows, including “General Hospital” 
and “Law and Order.” 
“We know we have 92 percent of the insomniac market,” Cahill said. “Why don’t we sell vacuums to people who sleep at night?” 
Oreck is in the midst of introducing several new products, including its first bagless vacuum,Manufactures and supplies laser marker equipment. an air purifier and an item Cahill was especially proud of: a lightweight,Whilst the preparation of ceramic and porcelain tiles are similar. bagless vacuum/steam mop hybrid. “The industry’s never seen that,” he said.
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