Hungarian literature in Vojvodina is dead! "This sentence sometime in the first half of the '90s sound for the first time when the young middle class when our writers can be a significant part of the hustle and bustle of war abroad, mostly in Hungary, he left. Many felszisszentek statement hearing, the opposite bizonygatva, and - let us admit - not always without reason, because on the one hand did not go all out, on the other hand, he was gone, the style, themes considering some form retained binding to the landscape, milieu. The 90s second half of the adult and the 2000s megizmosodott a literary generation that prizes, recognition with proved itself, and which works mostly largest kiadónknál the Forumnál and specifically contemporary Vojvodina Hungarian literature is focused zEtnánál are born. The latter is publisher of the Vojvodina Hungarian publishing-support system is one of the pillars of your Gabor Bethlen Fund (BGA) last contest was HUF 0.zentai
The lead is telling Stephen, based Zenta Publisher nation since 2002, deals with book publishing, but as a web magazine has been in existence since 1999. Over the past ten years, more than sixty-page titles in track at this non-profit publisher, and - just as it is telling states - in the last 5-6 years back there was a certain continuity and relative stability in the mother country subsidies, until last year when the call one of only two forints were judged by the publisher and the same went for this one, book publishing funding, calls for proposals.
Chatty Stephen says, do not know who delivered the decision, but it is obvious that deliberate omission in the background, or someone (s) of the ignorance played a role, as a 60-book of publishing harvest but only report should be something.
The publisher would a 10 címszavas program for U.S. $ 4.2 million grant from the Fund. Without exception, contemporary writers of Vojvodina Hungarians existing manuscripts are concerned. So, Chris Tobias, Monika Strips, Large Abonyi Arpad Sinkovits Peter, Peter Bozsik, Istvan Ladanyi, Victoria Radics, Angle, Csaba Szabó Béla Szeged and the appearance of a prose anthology became questionable.
The Nation editor from we found out that the provincial education secretary received from grants this year are two literary translation volume issue is money, but the above authors' works are not likely to be able to issue in the middle of next year (the Budapest Könyvhétig), as planned, because there is no from.
In addition to the three nations könyvkiadónk and book publishing organizations also have a profile in the contemporary Hungarian literature in Vojvodina publishing: Forum of Novi Sad, Subotica and Senta Heartbeat Vojvodina Hungarian Cultural Institute (VMMI). Among them, only for the Forum, which pays more attention to contemporary fiction, but the book is published Bethlen support for only one-fifth part is spent for this purpose. Largest publisher of five books and journals for publishing our bridges and for a total of U.S. $ 5 million grant from the Fund and received this amount. Ferenc Nemeth, director of the Forum, our magazine editor, said that in recent years in Hungary as well as 10-15 volume publication was financed by funds, but this year - because the magazine publishing is publishing the book was a hat - just five books Seen realistic tenders . The BGA thanks sees the light of day this year Jung Charles folklórtémákkal study on volume, Wolf Zsuzsa journalistic standards of the collection, Uri Franz local historical work, Burány Nandor's novel (the one that the contemporary Vojvodina Hungarian literature can be classified), and 2012, slipping through Szenteleky Kornel volume set of literary correspondence.
2011年11月9日 星期三
2011年10月31日 星期一
Black for a Day
Who lelátogatott Senta bowling alley on Saturday, exciting, all the elements of a true championship match seen between Senta and the Banat. The home side do not accidentally pointed out that the bánságiak team of excellent young players are, as they pressed along the riverside ones who have been helped through the routine of heavy moments. Thus, from less wood and Goran Vekić Szabo Zsolt Racz, but the main merit of the great time playing Gabo Szabo, Laszlo Fekete, and in particular, who showed why it is not so long ago was known as one of the best players in Serbia. Black reached the best result of the round timber 650, and confirmed the location of the championship team dobogóján imagined, and it really looks like the silver and bronze medal in question is to decide this weekend, as guests of Zenta Partizan Belgrade.
In this round out the women, too, was the result of over 600 trees, which it is intended Livia (Pioneer) was coined, who Banjica was not even up to 613. The most exciting match of the Ada Compurtersszel Jedinstvo fought, another derby in Novi Sad, where he was not at all apatite itself very difficult exhibition space in the track and suffered a heavy defeat.
In this round out the women, too, was the result of over 600 trees, which it is intended Livia (Pioneer) was coined, who Banjica was not even up to 613. The most exciting match of the Ada Compurtersszel Jedinstvo fought, another derby in Novi Sad, where he was not at all apatite itself very difficult exhibition space in the track and suffered a heavy defeat.
2011年6月12日 星期日
Aaron Keyes 'Dwell' Feature Story
aaronkeys2011b.JPG
The last thing you want to do, in the middle of a fight, is... NOTHING. Unless, of course, you expect someone bigger to show up and fight for you.
It’s an upside down principle, or so it seems, but for worship leader and songwriter Aaron Keyes, this is the key to worship, even the key to life itself: “Deliverance, provision, miracles—everything we pray for in the rough seasons of our lives—most often come to pass in the context of praise, worship, sacrifice and abiding in the shelter of the Most High God. ...Everything is wrapped up in our willingness to wait.”
For Aaron, worship pastor at Grace Fellowship Church in Snellville, GA for the last eight years, it’s that waiting room that fuels his passion for and approach to worship. He believes, without reservation, that you can’t get there (or lead anyone there) without the Word of God. That is why he and his wife, Megan, open their home to disciple young worship leaders for several months out of the year, dedicating their lives to reshaping worship leadership for the next generation.
“We want to shift what worship leading looks like,” he says, “from worship leaders simply leading songs to worship pastors leading people to knowing God better, to resting our hearts in Him, to expressing our hearts to him—physically, instinctively, fully, expressively... not just emotion, passion and excitement, but to declare the promises of God in the Bible with reverence and orthodoxy.”
Never has this calling been more vibrantly displayed than in the songs on Dwell, Aaron’s second Kingsway recording, set to release June 21. Produced by Stu G (Delirious?) and John Hartley (Matt Redman, Rebecca St. James), Dwell is a modern collection of 13 songs, composed in the battle of the everyday, forged in the fires of sacrifice and sharpened by the iron of Scripture.
“It doesn’t seem right that I can go to some of the biggest worship conferences in the world and see some of the biggest worship leaders in the world and no one’s saying anything about the Bible,” Aaron explains. “It makes me nervous because if the Word of God is a lamp to our feet and a light to our path, if we’re leading without it, we’re leading people into darkness.”
This mandate, to help restore the Word of God as central to worship, is the constant in Aaron’s music and what sets him apart from much of the current landscape. The songs of Dwell were pulled from 60-70 anthems that Aaron ‘road tested’ over time. Taking these songs into the studio, Aaron’s producers John Hartley and Stu G helped handpick the best of these anthems. “John is so great at identifying and producing songs that connect with congregations,” Aaron explains, “and Stu G lives in these new fresh, artistic sounds, so I think we’ve struck a good balance, with singable melodies that are sonically not as predictable as something we would’ve done years ago.” The result is remarkably different.
“One of the toughest jobs we had on Dwell was choosing which songs to leave off!” exclaims Stu G. “The songs we ended up with work so well together because they all come out of authentic experience and have been tried and tested in a corporate environment. What I love about Aaron is not only his desire to write new songs that serve the church, but also his desire to lead well and raise up new leaders by opening up his home and sharing his life. Dwell is about more than simply music and singing.”
Based on Psalm 91, a prayer of protection, with a bridge from Isaiah 54:17, the title track, “Dwell,” is one of the defining moments on the record, Aaron says. “Our personal worship, our willingness to abide or dwell in the shelter of the Lord, it’s so connected to God moving on our behalf, moving for us, to the Kingdom of God advancing around us. It’s about more than we can see with our eyes. You can see several pictures in the Old Testament over and over again, where the worshipers go out and then everything changes. That dwelling in the presence of the Lord is so critical to everything. The enemy can throw things at us, he can even take our lives, but he cannot prosper... we will ultimately triumph. And it’s all wrapped up in our willingness to wait on the Lord. As we wait, he wars for his people. As we abide, he acts. As we rest, he moves, he shows up.”
The last thing you want to do, in the middle of a fight, is... NOTHING. Unless, of course, you expect someone bigger to show up and fight for you.
It’s an upside down principle, or so it seems, but for worship leader and songwriter Aaron Keyes, this is the key to worship, even the key to life itself: “Deliverance, provision, miracles—everything we pray for in the rough seasons of our lives—most often come to pass in the context of praise, worship, sacrifice and abiding in the shelter of the Most High God. ...Everything is wrapped up in our willingness to wait.”
For Aaron, worship pastor at Grace Fellowship Church in Snellville, GA for the last eight years, it’s that waiting room that fuels his passion for and approach to worship. He believes, without reservation, that you can’t get there (or lead anyone there) without the Word of God. That is why he and his wife, Megan, open their home to disciple young worship leaders for several months out of the year, dedicating their lives to reshaping worship leadership for the next generation.
“We want to shift what worship leading looks like,” he says, “from worship leaders simply leading songs to worship pastors leading people to knowing God better, to resting our hearts in Him, to expressing our hearts to him—physically, instinctively, fully, expressively... not just emotion, passion and excitement, but to declare the promises of God in the Bible with reverence and orthodoxy.”
Never has this calling been more vibrantly displayed than in the songs on Dwell, Aaron’s second Kingsway recording, set to release June 21. Produced by Stu G (Delirious?) and John Hartley (Matt Redman, Rebecca St. James), Dwell is a modern collection of 13 songs, composed in the battle of the everyday, forged in the fires of sacrifice and sharpened by the iron of Scripture.
“It doesn’t seem right that I can go to some of the biggest worship conferences in the world and see some of the biggest worship leaders in the world and no one’s saying anything about the Bible,” Aaron explains. “It makes me nervous because if the Word of God is a lamp to our feet and a light to our path, if we’re leading without it, we’re leading people into darkness.”
This mandate, to help restore the Word of God as central to worship, is the constant in Aaron’s music and what sets him apart from much of the current landscape. The songs of Dwell were pulled from 60-70 anthems that Aaron ‘road tested’ over time. Taking these songs into the studio, Aaron’s producers John Hartley and Stu G helped handpick the best of these anthems. “John is so great at identifying and producing songs that connect with congregations,” Aaron explains, “and Stu G lives in these new fresh, artistic sounds, so I think we’ve struck a good balance, with singable melodies that are sonically not as predictable as something we would’ve done years ago.” The result is remarkably different.
“One of the toughest jobs we had on Dwell was choosing which songs to leave off!” exclaims Stu G. “The songs we ended up with work so well together because they all come out of authentic experience and have been tried and tested in a corporate environment. What I love about Aaron is not only his desire to write new songs that serve the church, but also his desire to lead well and raise up new leaders by opening up his home and sharing his life. Dwell is about more than simply music and singing.”
Based on Psalm 91, a prayer of protection, with a bridge from Isaiah 54:17, the title track, “Dwell,” is one of the defining moments on the record, Aaron says. “Our personal worship, our willingness to abide or dwell in the shelter of the Lord, it’s so connected to God moving on our behalf, moving for us, to the Kingdom of God advancing around us. It’s about more than we can see with our eyes. You can see several pictures in the Old Testament over and over again, where the worshipers go out and then everything changes. That dwelling in the presence of the Lord is so critical to everything. The enemy can throw things at us, he can even take our lives, but he cannot prosper... we will ultimately triumph. And it’s all wrapped up in our willingness to wait on the Lord. As we wait, he wars for his people. As we abide, he acts. As we rest, he moves, he shows up.”
2011年5月22日 星期日
Growing PV market in Taiwan
Innovalight hires Grandway Wonice Technology to sell silicon ink to solar cell manufacturers in Taiwan
Innovalight manufactures a proprietary nanotechnology-based silicon ink and licenses a proprietary platform process which allows for a simple upgrade to solar PV cell manufacturing production lines to boost performance of solar cells and lower production costs.
"We are delighted to be the sales channel for Innovalight's innovative silicon ink technology in Taiwan," said Mei Lee, General Manager for Grandway Wonice.
"There is a large and growing market in Taiwan for Innovalight's technology to help improve the economics of producing high-efficiency solar cells," she added.
"As we are expanding our presence in Taiwan, we need to be closer to our customers," said Boris Mathiszik, vice president of worldwide sales for Innovalight. "We are delighted to be partnered with Grandway Wonice Technology," he added.
Innovalight manufactures a proprietary nanotechnology-based silicon ink and licenses a proprietary platform process which allows for a simple upgrade to solar PV cell manufacturing production lines to boost performance of solar cells and lower production costs.
"We are delighted to be the sales channel for Innovalight's innovative silicon ink technology in Taiwan," said Mei Lee, General Manager for Grandway Wonice.
"There is a large and growing market in Taiwan for Innovalight's technology to help improve the economics of producing high-efficiency solar cells," she added.
"As we are expanding our presence in Taiwan, we need to be closer to our customers," said Boris Mathiszik, vice president of worldwide sales for Innovalight. "We are delighted to be partnered with Grandway Wonice Technology," he added.
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